Painting
- Giovanni Bellini
- Crucifixion (c.1455) (Museo Correr, Venice)
- Madonna with Child (after 1450) (Pavia)
- Madonna with Child (c.1455) (Metropolitan Museum of Art, New York)
- Pietà (Dead Christ Supported by the Madonna and St. John) (1455) (Accademia Carrara, Bergamo)
- St. Jerome in the Desert (c.1455-1460) (Barber Institute of Fine Arts, Birmingham)
- Transfiguration of Christ (first version, c.1454-1460) (Museo Correr, Venice)
- Dieric Bouts
- Deposition Altarpiece (Royal Chapel of Granada)
- The Entombment (completed by c.1455) (National Gallery, London)
- Petrus Christus
- "Berlin Altar Wings" with Annunciation, Nativity, and Last Judgment (1452) (Gemäldegalerie, Berlin)
- Virgin and Child Enthroned with St. Jerome and St. Francis (1457?) (Frankfurt)
- Antonello da Messina
- Crucifixion (two versions, c.1454-1455)
- St. Jerome and Abraham panels (c.1455)
- Andrea del Castagno
- Assumption of the Virgin (c.1449-1450)
- Equestrian Statue of Niccolò da Tolentino (fresco painting, 1456) (Florence Cathedral)
- Piero della Francesca
- Flagellation of Christ (probably 1455–1460)
- Madonna del Parto (c.1457-1460)
- Portrait of Sigismondo Pandolfo Malatesta (c.1451)
- Stefano di Giovanni (Sassetta) – Mystic Marriage of St. Francis (c.1450)
- Jean Fouquet – Melun Diptych (c.1452) (Royal Museum of Fine Arts, Antwerp)
- Filippo Lippi
- Annunciation and Seven Saints (c.1449-1459) (lunettes for Palazzo Medici Riccardi, Florence; now in National Gallery, London)
- Funeral of St. Jerome (c.1452-1460)
- Madonna del Ceppo (1452-1453)
- Andrea Mantegna
- Adoration of the Shepherds (c.1450-1451)
- Crucifixion (1447-1459)
- Presentation at the Temple (c.1453-1455)
- Portrait of Cardinal Ludovico Trevisan (1459-1460)
- St. James Led to His Execution (c.1455) (lost)
- St. Sebastian (first version, c.1456-1459)
- San Luca Altarpiece (1453-1454)
- San Zeno Altarpiece (c.1457-1460)
- Paolo Uccello – The Battle of San Romano (tryptych completed by c.1455)
- Rogier van der Weyden – The Braque Triptych (c.1452)
Read more about this topic: 1450s In Art
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“For the bright side of the painting I had a limited sympathy. My visions were of shipwreck and famine; of death or captivity among barbarian hordes; of a lifetime dragged out in sorrow and tears, upon some gray and desolate rock, in an ocean unapproachable and unknown.”
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