Biography
He was born in a cultivated family and studied calligraphy in his childhood and from 1935 to 1941 painting at the school of Fine Arts in Hangzhou. In 1948, he went with his wife Lan-lan, a composer, to Paris to live on the same block in Montparnasse where the classes of Émile Othon Friesz took place. His earliest exhibitions in France were met with praise from Miró and Picasso.
Husband and wife each pursued his/her own career, their son having stayed on in China with his paternal grandparents. In the mid-1950s, they were divorced, and in 1957, Zao Wou-ki decided to visit the US where his younger brother Chao Wu-Wai lived in Montclair, New Jersey, close to the art scene in New York City. His good friends, M. and Mme. Pierre Soulages, travelled with him. Zao wanted to learn more about Pop Art, which was then beginning to grab a lot of attention world-wide. He was not interested in their aesthetic and said that he had a difficult time understanding its raison d'être – not surprising since he was unfamiliar with American popular culture. He enjoyed meeting the artists at their watering holes, the Cedars and the Five Spot for long evenings of talk.
While in the US, he painted seven canvases at his brother’s house. There are relatively few items dating from that year (1957). Years later, the largest canvas was given by his brother, Chao Wu-Wai, to the Detroit Institute of Arts. He left the US after a six week stay, travelling to Tokyo and then Hong Kong, where he met his future wife, actress Zhu Ying, a beautiful movie star with two young children. She later became a sculptor who received admiring and critical praise. She committed suicide at the height of her career.
Read more about this topic: Zao Wou Ki (Zhao Wuji)
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“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
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