Character
Zachary, often called Zach, is a wealthy young man from Los Angeles, California, with parents who show little love for their son or each other, and who seem unable to exert any influence on their son's behavior. Zach is described as having "velvety black" hair, very pale skin, and "steel-grey" eyes. He is considered "gorgeous" by Vicky Austin and is taller than Polly O'Keefe, who considers herself "too tall." Intelligent but erratic in behavior, Zach is "kicked out" of numerous prestigious schools (namely for smoking in the bathroom or cheating as an art form), but demonstrates that he will learn a great deal on a subject that interests him, particularly anthropology. Zach suffers from a heart condition, and is often reckless and self-destructive, but at other times seeks desperately to live. Similarly, he is torn between cynical self-interest and more altruistic desires. Zach pursues relationships with L'Engle protagonists Vicky Austin and later Polly O'Keefe, apparently seeking emotional rescue. In his introductory appearance, he frequently sings "The Merry Minuet" by Sheldon Harnick, a song of black humor and global annihilation. Donald R. Hettinga says of Zachary at this stage that he "looks at human suffering and sees no hope." When his mother dies, he and his father have her body preserved through cryonics in lieu of a "pie in the sky" hope of resurrection. According to Carole F. Chase's study of L'Engle's work, L'Engle considered Zachary to be "a work in progress who will ultimately be redeemed."
Read more about this topic: Zachary Gray
Famous quotes containing the word character:
“But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace without grandeur, and itself not new but derivative; a vase of fair outline, but empty,—which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.”
—Ralph Waldo Emerson (1803–1882)
“When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to one another. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“What the statesman is most anxious to produce is a certain moral character in his fellow citizens, namely a disposition to virtue and the performance of virtuous actions.”
—Aristotle (384–22 B.C.)