Works
Whilst at university, Vera submitted a story to a Toronto magazine: the publisher asked for more, so she sat down to write them. Her collection of short stories, Why Don't You Carve Other Animals was published in 1992. It was followed by five completed novels:
- Nehanda (1993), short-listed for Commonwealth Writers' Prize
- Without a Name (1994), awarded Commonwealth Writers' Prize for Africa and Zimbabwe Publishers' Literary Award
- Under the Tongue (1997)
- Butterfly Burning (2000), awarded German Literature Prize 2002, chosen as one of Africa's 100 Best Books of the 20th Century in 2002
- The Stone Virgins (2002), awarded Macmillan Writers' Prize for Africa
At the time of her death she was working on a new novel, Obedience. Her works have been published in Zimbabwe, Canada and several other countries, including translations into Spanish, Italian and Swedish.
Vera wrote obsessively, often for 10 hours a day, and described time when she was not writing as "a period of fasting." Her work was passionate and lyrical. She took on themes such as rape, incest and infanticide, and gender inequality in Zimbabwe before and after the country's war of independence with sensitivity and courage. She said, "I would love to be remembered as a writer who had no fear for words and who had an intense love for her nation." In 2004 she was awarded the Swedish PEN Tucholsky Prize "for a corpus of works dealing with taboo subjects".
Vera also edited several anthologies by Zimbabwean women writers.
Read more about this topic: Yvonne Vera
Famous quotes containing the word works:
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
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