Composition and Inspiration
The instrumental focus is on John's Leon Russell-influenced piano work, along with acoustic guitar, Paul Buckmaster's string accompaniment, and a shuffling rhythm section.
The lyrics express the romantic thoughts of an innocent. Taupin offers a straightforward love-song lyric at the beginning: "It's a little bit funny this feeling inside / I'm not one of those who can easily hide / I don't have much money but boy if I did / I'd buy a big house where we both could live." At times the self-deprecating narrator stumbles to get out his feelings, which despite being a melodramatic device, Allmusic calls "effective and sweet": "So excuse me forgetting but these things I do / You see I've forgotten if they're green or they're blue / Anyway the thing is what I really mean / Yours are the sweetest eyes I've ever seen / And you can tell everybody this is your song / It may be quite simple but now that it's done..."
The song was part of a stockpile of songs John and Taupin wrote while living together. John pinpoints his composition of the music to 27 October 1969. It took him only ten minutes. Taupin had penned the lyrics earlier that day over breakfast. John cites the song as one of his favourites, and plays it at most of his concerts. In an interview, he commented, "I don't think I have written a love song as good since".
"Your Song" was itself the inspiration for the song "We All Fall in Love Sometimes" on John's 1975 album Captain Fantastic and the Brown Dirt Cowboy. The original framed handwritten lyric, complete with egg and coffee stains from breakfast, can be seen in the lyrics booklet that is included with various editions of Captain Fantastic and the Brown Dirt Cowboy.
Elton John had said in an interview with The Actor's Studio that he had only taken 30 minutes to compose the entire song.
Read more about this topic: Your Song
Famous quotes containing the words composition and, composition and/or inspiration:
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Shakespeare carries us to such a lofty strain of intelligent activity, as to suggest a wealth which beggars his own; and we then feel that the splendid works which he has created, and which in other hours we extol as a sort of self-existent poetry, take no stronger hold of real nature than the shadow of a passing traveller on the rock. The inspiration which uttered itself in Hamlet and Lear could utter things as good from day to day, for ever.”
—Ralph Waldo Emerson (1803–1882)