Works
- Stage: Agnos (dramatic idyll, 1937); Sklavas lytrossi (choreographic tableau, 1945); Pirates (ballet, 1952); Himoniatiki fantasia (ballet, 1951); Antigone (ballet, 1965) etc.
- Orchestral: 5 Symphonies.: 1946, 1947, 1953, 1963, 1964; Idhyllio, 1938; O koursaros, 1939; Choreographic Prelude, 1940; 3 Piano Concertos, 1940, 1952, 1989; Poiema tou dhasous, 1942; Vasilis Arvanitis, 1945; Triptych, str, 1947; Orthros ton psychon, 1947; Pygmalion, 1950; Hellas (P.B. Shelley), nar, orch, 1956; Images d’Asie, suite, 1961; India, suite, 1961; Meteorissi, vc, orch, 1979 etc.
- Vocal: Dafnis ke Chloi (G. Drossinis), chorus, orch/pf, 1933; I kidheia tou Sarpidhonos (cant., C. Cavafy), 1966; O fotofraktis (A. Embeirikos: Octana), 1982; Encomium (Kotsiras), 1984–5; I logosteméni psychi (O. Votsi), 1986; 2 Songs (G. Byron), 1989 etc.
- Chamber and Solo instrumental
Nocturno, 1935; Burlesca, 1936; I parlata tou Arlekinou (La parlata d’Arlecchino), tuba, 1971; Halkografia, hn, pf, 1977; Dioyssiakon, db, 1978; Erotiki exomologhissi tou Minotavrou, tuba, pf, 1978; Aétoma, 1987; Caryatid, 1987; Sonata, 1988 etc.
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Famous quotes containing the word works:
“All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.”
—Henry David Thoreau (1817–1862)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)
“I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (1860–1904)