Art
Yazmany Arboleda’s practice merges painting, photography, film, sculpture, installation, and participatory actions in order to highlight phenomena that lie just outside our collective field of vision. His preoccupations with social, political and moral issues in a culture ever more driven by the media draw our attention to slight, often overlooked but extraordinary facets of the man-made world we inhabit today.
Arboleda deconstructs the contemporary human experience by using the very same media prism that shapes our perspectives from childhood to adult life. His work considers how nature and culture combine to define standards of human beauty common across time and geography. He explores the way the growing ubiquity of information has been accompanied by a crumbling of faith in news institutions, government and business. The work depicts and analyzes inter-connections and influences, and often engages the viewer, knowingly or not, to become a part of the art itself.
Arboleda's installations include commentary on politics, current events, racism, and sexism, sometimes provoking controversy.
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Famous quotes containing the word art:
“The classicist, and the naturalist who has much in common with him, refuse to see in the highest works of art anything but the exercise of judgement, sensibility, and skill. The romanticist cannot be satisfied with such a normal standard; for him art is essentially irrational—an experience beyond normality, sometimes destructive of normality, and at the very least evocative of that state of wonder which is the state of mind induced by the immediately inexplicable.”
—Sir Herbert Read (1893–1968)
“The English public, as a mass, takes no interest in a work of art until it is told that the work in question is immoral.”
—Oscar Wilde (1854–1900)
“All things are artificial, for nature is the art of God.”
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