Family
- Yolanda (unseen) One of London's former stepsisters. In "Poor Little Rich Girl", London called her on her cell phone, looking for a place to sleep. Yolanda refuses because London never helped her. London refers to her as 'sis'.
- Khun Yai (played by Elizabeth Sung) London's grandmother and Mrs. Tipton's mother from Thailand. London visits her in the On Deck episode "Family Thais", where London is surprised to find out that her grandmother is a poor rice farmer. London tries to connect with her grandmother by giving Khun Yai a makeover and redesigning her hut with expensive furniture and appliances. However, Khun Yai is uncomfortable with all the luxuries, which confuses London. After talking with Bailey, London learns to accept her grandmother's lifestyle and the two share a close bond unlike any relationship London has with the rest of her family. Khun Yai also has a pet elephant who she can understand well, similar to London's relationship with Ivana.
- Rome Tipton (played by George Takei) is London's great-great-great-great-great grandson, whom London met in the episode "Starship Tipton" when she and the gang traveled into the future. He is the heir of Tipton Industries. He is a resident on the Starship Tipton, apparently, despite being an adult, still attends school upon the ship due to being held back "a few" years. At the end of the episode he accidentally walks out the door and hurtles out into space.
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Famous quotes containing the word family:
“English people apparently queue up as a sort of hobby. A family man might pass a mild autumn evening by taking the wife and kids to stand in the cinema queue for a while and then leading them over for a few minutes in the sweetshop queue and then, as a special treat for the kids, saying “Perhaps we’ve time to have a look at the Number Thirty-One bus queue before we turn in.””
—Calvin Trillin (b. 1940)
“Sometimes I think that idlers seem to be a special class for whom nothing can be planned, plead as one will with them—their only contribution to the human family is to warm a seat at the common table.”
—F. Scott Fitzgerald (1896–1940)
“With a new familiarity and a flesh-creeping “homeliness” entirely of this unreal, materialistic world, where all “sentiment” is coarsely manufactured and advertised in colossal sickly captions, disguised for the sweet tooth of a monstrous baby called “the Public,” the family as it is, broken up on all hands by the agency of feminist and economic propaganda, reconstitutes itself in the image of the state.”
—Percy Wyndham Lewis (1882–1957)