Yasmin Bannerman - Career

Career

Her first television role came in 1995 when she appeared in an episode of Crown Prosecutor. Shortly afterwards she was cast as Maddie Parker in Channel 4's soap opera Hollyoaks. She describes her role in the soap as "demanding", though the character appeared less frequently as time went on. Further appearances include a brief role in Red Dwarf— in a scene that took a day to shoot - and a recurring role in the third series of Cold Feet as Jessica Barnes, a local political activist who has an affair with David Marsden (played by Robert Bathurst).

In the same year she appeared in Ben Elton's Maybe Baby as Melinda. Further appearances include roles in Queen of Swords, In Deep, Holby City, Life on Mars, and an eight-episode stint in Merseybeat. In 2005 she played Jabe—an alien that resembles a tree—in the second episode of BBC Wales' revival of Doctor Who. Her audition was "shrouded in secrecy" and the part required a lengthy make-up process; the prosthetics took three hours to apply and 90 minutes to remove. Further involvement in the Doctor Who franchise includes guest roles in the audio dramas The Bride of Peladon and The Fourth Wall, and a part in the Torchwood episode "They Keep Killing Suzie".

Read more about this topic:  Yasmin Bannerman

Famous quotes containing the word career:

    From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.
    Robert Benchley (1889–1945)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)