Works
Maharil's best known work is Minhagei Maharil, also known as Sefer ha-Maharil or simply the Minhagim. It contains a detailed description of religious observances and rites, at home and in the synagogue, and thus provides an authoritative outline of the minhagim of the German Jews. It also contains sermons and textual comments. It was compiled by Moelin's student, Zalman of St. Goar, and was first published - with various additions - at Sabbioneta, in 1556 and frequently thereafter. It had a great influence on the Jews of Central Europe and was largely responsible for the importance attached to minhag in these communities. This book is frequently quoted in the codes and commentaries - including Moshe Isserles who cites Maharil frequently in the Shulkhan Arukh - and has become a valuable source for later scholars.
Another pupil of Moelin, Eleazer b. Jacob, collected some of Moelin's responsa; these were published in Venice in 1549. Many more of Moelin's responsa remained in manuscript. These were collected and edited by Rabbi Yitzhak Satz, and, published in 1977 under the title SHuT Maharil heChadashot ("New Responsa of Yaakov Molin").
Recently, the German esoteric scholar Georg Dehn has argued that the MaHaRIL was also the author of The Book of Abramelin which he wrote under the pseudonym of Abraham von Worms. However, this is disputed.
Read more about this topic: Yaakov Ben Moshe Levi Moelin
Famous quotes containing the word works:
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.”
—Paul Valéry (1871–1945)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)