Melody and Five Stars For Failure
During the process of writing his fourth album - originally intended as Beautiful Dazzling Music No. 2, then Fairy Tale Melodies (some Tooth and Nail promotional material came out with this name), and then later to be renamed simply as Melody - Martin found the sound of his project changing radically. Of course, changes were quite evident during Beautiful Dazzling Music, but this fourth album carried things to the extreme. Analog synths began to dominate the studio floor-space. Furthermore, Martin began perfecting a clock-like musical technique that had a strange assortment of blips and whirls constantly rotating in the background. The fourth album resulted in several things: a new band name (Joy Electric), his signing with a new label (Tooth & Nail Records), and the launching of Martin's signature sound which he carries to this day.
Although Joy Electric was now part of a "real" record label—with all the benefits of promotion and better distribution—this did not spell the end of Martin's worries for his budding project. Amidst mostly punk, ska, or hardcore bands, Joy Electric was usually dismissed as a Tooth & Nail curiosity—a funny little joke band with Atari music and girlish vocals. Looking back on those years, Martin recalls a crisis of feeling legitimate and being treated as a peer. Audiences at Joy Electric shows remained small. Melody caused no stir. The album came and went without much response from the audience, the critics, or anyone in general.
This depressing situation was the backdrop for the next CD—an EP appropriately titled Five Stars for Failure. This EP, Martin's first, could not have contrasted more with the exuberantly optimistic joy of Melody. Bi-polar Joy Electric had slumped to the opposite extreme. The sound become slower and more dire. Covering previously happy songs (with remix titles like "The Woods are Haunted" and "The House in the Woods") Martin seemingly undid all his previous work.
Besides simply being sad, the Five Stars EP showed a curious development: with darker sounds and "House in the Woods" songnames that conjured up pictures of frightening Black-Forest scenes, Joy Electric was picking up a strange strain of imagery: the dark world of German folklore, mixed in with a little bit of medieval scenes for good measure. The upcoming album, We Are the Music Makers, would become the strangest goth album to be produced: dark and Teutonic, electronic and infectious, antiquated with a strong backbeat.
Read more about this topic: Workmanship (album)
Famous quotes containing the words melody, stars and/or failure:
“It’s a melody full of the laughter of children out after the rain.”
—Dorothy Fields (1904–1974)
“Truly the stars were given for a consolation to man.”
—Henry David Thoreau (1817–1862)
“Human beings are compelled to live within a lie, but they can be compelled to do so only because they are in fact capable of living in this way. Therefore not only does the system alienate humanity, but at the same time alienated humanity supports this system as its own involuntary masterplan, as a degenerate image of its own degeneration, as a record of people’s own failure as individuals.”
—Václav Havel (b. 1936)