Patron of Arts
In 1894 the Prince and Princesse de Polignac established a salon in Paris in the music room of their mansion on Avenue Henri-Martin (today, Avenue Georges-Mandel). The Polignac salon came to be known as a haven for avant-garde music. First performances of Chabrier, d'Indy, Debussy, Fauré, and Ravel took place in the Polignac salon. The young Ravel dedicated his piano work, Pavane pour une infante défunte, to the Princesse de Polignac. Many of Marcel Proust's evocations of salon culture were born during his attendance at concerts in the Polignac drawing room.
After her husband's death, Winnaretta Singer-Polignac used her fortune to benefit the arts, sciences, and letters. She decided to honor his memory by commissioning several works of the young composers of her time, amongst others Igor Stravinsky's Renard, Erik Satie's Socrate (by her intercession Satie was kept out of jail when he was composing this work), Darius Milhaud's Les Malheurs d'Orphée, Francis Poulenc's Concerto for two pianos and Organ Concerto, Jean Françaix's Le Diable boîteux and Sérénade pour douze instruments, Kurt Weill's Second Symphony, and Germaine Tailleferre's First Concerto for Piano and Orchestra. Manuel de Falla's El retablo de Maese Pedro was premiered there, with the harpsichord part performed by Wanda Landowska.
In addition to Proust and Antonio de La Gandara, the Princesse de Polignac's salon was frequented by Isadora Duncan, Jean Cocteau, Claude Monet, Serge Diaghilev, and Colette. She was also patron to many others, including Nadia Boulanger, Clara Haskil, Arthur Rubinstein, Vladimir Horowitz, Armande de Polignac, Ethel Smyth, Adela Maddison, the Ballets Russes, l'Opéra de Paris, and l'Orchestre Symphonique de Paris. In addition to performing as pianist and organist in her own salon, she was an accomplished painter who exhibited in the Académie des Beaux-Arts. One canvas eventually appeared in the showcase of an art gallery, advertised as being a Manet.
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