Williams Sassine - Critical Studies of Sassine's Fictional Work

Critical Studies of Sassine's Fictional Work

  • Asaah, Augustine, ‘L’inscription du corps dans quatre romans postcoloniaux d’Afrique’. Présence Francophone 66 (2006) 57-80.
  • Baker, Charlotte, “My Sole Reality, My Only Refuge, My Unique Prison”: The Body of the Black African Albino in Williams Sassine’s Mémoire d’une peau’ in Lili Hernandez and Sabine Krajewski (eds), Crossing Cultural Boundaries (Newcastle: Cambridge Scholars Publishing, 2009).
  • Chevrier, Jacques, Williams Sassine: écrivain de la marginalité (Toronto: Editions du Gref, 1995).
  • Chevrier, Jacques, ‘Malades et infirmes dans l’œuvre romanesque de Williams Sassine’ in Littérature et maladie dans la littérature africaine ed. by Jacqueline Bardolph (Paris: L’Harmattan, 1994) pp. 173–187.
  • Chevrier, Jacques, ‘La Marginalité, figure du postcolonialisme dans l’œuvre romanesque de Williams Sassine’ in Littératures postcoloniales et francophonie ed. by Jean Bessière and Jean-Marc Moura (Paris: Champion, 1999), 131-139.
  • Chevrier, Jacques, ‘De la solitude à la solidarité dans l’œuvre romanesque de Williams Sassine, Notre Librairie, 128 (1996), 126-132.
  • Chevrier, Jacques, ‘Le Thème de l’exclusion et de la marginalité dans l’œuvre de Williams Sassine’ in Carrefour de cultures ed. by Régis Antoine (Tübingen, 1993), 431-438.
  • Chevrier, Jacques, ‘Williams Sassine: Des mathématiques à la littérature’, Notre Librairie, 88-89 (1987), 110-118.
  • Chevrier, Jacques and Richard Bjornson (1992), ‘Williams Sassine’, Research in African Literatures, 23.4, pp. 133–136.
  • Coussy, Denise, and Jacques Chevrier, ‘L’Errance chez Williams Sassine et V.S. Naipaul’, Notre Librairie, 155-156 (2004), 68-75.
  • De Saivre, Denise ‘Humour et communication: L’exemple de Williams Sassine’. Présence Africaine 147 (1988) 68-79.
  • Giguet, Frédéric, ‘La construction tragique de l’identité dans l’œuvre romanesque de Williams Sassine’ in Dominique Laporte (ed.), L’autre en mémoire, Presses Université Laval, 2006. Unpaginated.
  • Lebon, Cécile, ‘Williams Sassine Mémoire d’une peau: Review’. Notre Librairie 136 (1998).
  • Ngandu Nkashama, Pius, Ecrire à l’infinitif : la déraison de l’écriture dans les romans de Williams Sassine (Paris : Harmattan, 2006).
  • Ngandu Nkashama, Pius, ‘Il était une fois, Saint Monsieur Baly...’. Présence Africaine 155 (1997).
  • Sow, Alioune, ‘Forbidden Bodies: Relocation and Empowerment in Williams Sassine’s novels’, Matatu Journal for African Culture and Society, 29 (2005), 207-220.
  • Wendeler, Catherine, ‘The embodiment of wrath in two postcolonial prophecies: La vie et demie by Sony Labou Tansi and Mémoire d’une peau by Williams Sassine’ (Imperium' 2 (2001), Unpaginated.

Read more about this topic:  Williams Sassine

Famous quotes containing the words critical, studies, fictional and/or work:

    You took my heart in your hand
    With a friendly smile,
    With a critical eye you scanned,
    Then set it down,
    And said: It is still unripe,
    Better wait awhile;
    Christina Georgina Rossetti (1830–1894)

    Even if one studies to an old age, one will never finish learning.
    Chinese proverb.

    One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.
    Edmond De Goncourt (1822–1896)

    Don’t you know there are 200 temperance women in this county who control 200 votes. Why does a woman work for temperance? Because she’s tired of liftin’ that besotted mate of hers off the floor every Saturday night and puttin’ him on the sofa so he won’t catch cold. Tonight we’re for temperance. Help yourself to them cloves and chew them, chew them hard. We’re goin’ to that festival tonight smelling like a hot mince pie.
    Laurence Stallings (1894–1968)