William S. Hart - Biography

Biography

Hart was born in Newburgh, New York; to James Howard Hart (1829–1902) and Katherine Diédricht Hart (1833–1909). William had 2 brothers and 4 sisters. His father was of Irish ancestry, and his mother was of German heritage. Hart began his acting career on stage in his 20s and in film when he was 49, which coincided with the beginning of film's transition from curiosity to commercial art form. He toured and traveled extensively while trying to make a name for himself as an actor, and for a time coached shows at the Asheville Opera House around year 1900. His family had moved to Asheville but after his youngest sister Lotta died of typhoid fever they all left together for Brooklyn until William went back on tour.

A successful Shakespearean actor on Broadway who had worked with Margaret Mather and other stars, he appeared in the original 1899 stage production of Ben-Hur.

Hart went on to become one of the first great stars of the motion picture western. Fascinated by the Old West, he acquired Billy the Kid's "six shooters" and was a friend of legendary lawmen Wyatt Earp and Bat Masterson. He entered films in 1914 where, after playing supporting roles in two short films, he achieved stardom as the lead in the feature The Bargain. Hart was particularly interested in making realistic western films. His films are noted for their authentic costumes and props, as well as Hart's extraordinary acting ability, honed on Shakespearean theater stages in the United States and England.

Beginning in 1915, Hart starred in his own series of two-reel western short subjects for producer Thomas Ince, which were so popular that they were supplanted by a series of feature films. Many of Hart's early films continued to play in theaters, under new titles, for another decade. In 1915 and 1916 exhibitors voted him the biggest money making star in the US. In 1917 Hart accepted a lucrative offer from Adolph Zukor to join Famous Players-Lasky, which merged into Paramount Pictures. In the films Hart began to ride a brown and white pinto he called Fritz. Fritz was the forerunner of later famous movie horses known by their own name, i.e., horses like Tom Mix's Tony, Roy Rogers's Trigger and Clayton Moore's Silver, etc. Hart was now making feature films exclusively, and films like Square Deal Sanderson and The Toll Gate were popular with fans. Hart married young Hollywood actress Winifred Westover. Although their marriage was short-lived, they had one child, William S. Hart, Jr.(1922–2004).

By the early 1920s, however, Hart's brand of gritty, rugged westerns with drab costumes and moralistic themes gradually fell out of fashion. The public became attracted by a new kind of movie cowboy, epitomized by Tom Mix, who wore flashier costumes and was faster with the action. Paramount dropped Hart, who then made one last bid for his kind of western. He produced Tumbleweeds (1925) with his own money, arranging to release it independently through United Artists. The film turned out well, with an epic land-rush sequence, but did only fair business at the box office. Hart was angered by United Artists' failure to promote his film properly and sued United Artists. The legal proceedings dragged on for years, and the courts finally ruled in Hart's favor, in 1940.

After Tumbleweeds, Hart retired to his Newhall, California, ranch home, “La Loma de los Vientos,” which was designed by architect Arthur R. Kelly. In 1939 he appeared in his only sound film, a spoken prologue for a reissue of Tumbleweeds. The 75-year-old Hart, filmed on location at his Newhall ranch, reflects on the Old West and recalls his silent-movie days fondly. The speech turned out to be William S. Hart's farewell to the screen, and it's a fitting valedictory. Most prints and video versions of Tumbleweeds circulating today include Hart's speech. Hart died on June 23, 1946, in Newhall, California at the age of 81. He was buried in Green-Wood Cemetery in Brooklyn, New York.