Classical Commissions
- 1992 - Grenoble Jazz Festival, Chamber Orchestra Music (Steve Houghton - soloist)
- 1993 - Los Angeles Philharmonic, Tone Poem for Holly (Esa-Pekka Salonen - conductor)
- 1994 - Los Angeles Philharmonic, Fanfare for the United Races Of America (Esa-Pekka Salonen - conductor)
- 1994 - Monterey Jazz Festival, Concerto Piano and Jazz-Chamber Orchestra (Billy Childs - soloist)
- 1995 - Akron Symphony Orchestra, The Distant Land (Alan Balter - conductor)
- 1997 - Akron Symphony Orchestra and Chorus, Just Like Job (Alan Balter - conductor)
- 1997 - The Dorian Wind Quintet, A Day in the Forest of Dreams (Billy Childs - piano, with Dorian Wind Quintet)
- 1997 - Mancini Institute, The Winds of Change (Roy Hargrove - soloist)
- 2001 - Kuumbwa Jazz Society, Into the Light (Billy Childs Jazz-Chamber Ensemble)
- 2004 - Los Angeles Philharmonic, For Suzanne (Dianne Reeves - vocal soloist, Billy Childs - piano soloist)
- 2004 - Lincoln Center Jazz Orchestra, The Fierce Urgency of Now (Wynton Marsalis - musical director)
- 2005 - Los Angeles Master Chorale, The Voices of Angels (Grant Gershon - conductor)
- 2007 - The American Brass Quintet, 2 Elements (Billy Childs - piano, with American Brass Quintet)
- 2007 - Fontana Chamber Arts, The Path among the Trees (Billy Childs Jazz-Chamber Ensemble with Ying Quartet)
- 2010 - Detroit Symphony, Concerto For Violin And Orchestra (Regina Carter, soloist)
- 2010 - Monterey Jazz Festival, Music For Two Quartets (Kronos Quartet with Billy Childs, Brian Blade, Scott Colley, and Steve Wilson)
- 2012 - The Ying Quartet, Awakening - String Quartet #2 (The Ying Quartet)
Read more about this topic: William Edward Childs
Famous quotes containing the word classical:
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)