William Eden Nesfield - Biography

Biography

William Eden Nesfield was born in Britain on 2 April 1835, the eldest son of the landscape architect and painter William Andrews Nesfield. He was educated at Eton College.

In 1850 he was articled to the architect William Burn, but after two years he moved to the practice of his uncle by marriage, Anthony Salvin. He travelled widely in the 1850s, and published his drawings in Specimens of Mediaeval Architecture (1862).

Around 1860 he started his own architectural practice; but he soon linked up with his friend Richard Norman Shaw, with whom he was in a formal partnership between 1866 and 1869, though they kept their jobs separate.

Nesfield and Shaw contributed greatly to the new styles of domestic architecture in Britain, which began in the 1860s and flourished in the 1870s, notably the Old English and Queen Anne styles. Many of Nesfield's clients were rich friends of his father's, and his designs tended to be more extravagant and ornamental than Shaw's. Notable examples were additions to Combe Abbey, Warwickshire (1862-5, mostly demolished); Cloverley Hall, Shropshire (1866–8, demolished); Kinmel Hall, Flintshire (1871–4) and Bodrhyddan (1872–4). He also designed many small lodges and cottages, most famously a lodge in Regent's Park (demolished), and another at Kew Gardens (1866–7), both in London. At Loughton, he designed (1877)the church of St Nicholas, and was then commissioned (1878)to rebuild the Hall, both for the Maitland family.

Nesfield gave up architectural practice around the time his father died in 1881, and retired to Brighton, where he died in 1888 at the age of 53. He is usually considered one of the most original of the Victorian domestic architects. He was not interested in publicity but preferred to pursue his career privately and enjoy himself with his bohemian friends, many of them artists.

Read more about this topic:  William Eden Nesfield

Famous quotes containing the word biography:

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)