Work
In 1696, he published his Artificial Clockmaker, which went through several editions. The best known of his subsequent works are Physico-Theology, published in 1713; Astro-Theology, 1714; and Christo-Theology, 1730. All three of these books are teleological arguments for the being and attributes of God, and were used by William Paley nearly a century later. However, these books also include quantities of original scientific observations. For example, Physico-Theology contains his recognition of natural variation within species and that he knew that Didelphis virginialis (the Virginia opossum) was the only marsupial in North America. Similarly, Astro-Theology includes several newly identified nebulae (this was the name used at the time for all extended astronomical objects: some of his nebulae are what we would now call star clusters). His 16-feet long telescope (also used when measuring the velocity of sound) was at the top of the tower of St Laurence's Church, where the necessary doors are still in place.
On 3 February 1703, Derham was elected Fellow of the Royal Society. He was Boyle lecturer in 1711–1712. His last known work, entitled A Defence of the Church's Right in Leasehold Estates, appeared as early as 1731. But besides the works published in his own name, Derham contributed a variety of papers to the Transactions of the Royal Society, revised the Miscellanea Curiosa, edited the correspondence, and wrote a biography, of John Ray and Eleazar Albin's Natural History, and published some of the manuscripts of Robert Hooke, the natural philosopher. His meteorological observations Upminster (in the Transactions of the Royal Society) are amongst the earliest series in England.
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“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)