William Cartwright (dramatist) - Career

Career

Cartwright became reader in metaphysics at Oxford University and was, according to Wood, the most florid and seraphical preacher in the university. In 1642 he was made succentor of Salisbury Cathedral, and in 1643 he was chosen junior proctor of the university. Cartwright was a successor to Ben Jonson and is often counted among the Sons of Ben, the group of dramatists who practiced Jonson's style of comedy. The collected edition of his poems (1651) contains commendatory verses by Henry Lawes, who set some of his songs to music, by Izaak Walton, Alexander Brome, Henry Vaughan and others. Cartwright and Lawes maintained an important working relationship, for perhaps a decade prior to Cartwright's death in 1643; in one view, Lawes made a significant contribution to Cartwright's conception of drama.

Though Cartwright has been listed among the 17th century dramatists known as the Sons of Ben, as they were to have been influenced by Ben Jonson, Cartwright's play The Ordinary has been described as a second-rate Jonsonian comedy, nothing more than a pale copy of an original. Some would perhaps argue that bad replication does not qualilify Cartwright as a true Son of Ben.

Read more about this topic:  William Cartwright (dramatist)

Famous quotes containing the word career:

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)