History
Design of the shrine was commissioned by local architect Charles E. Thomas and construction included 5000 cubic yards of Cheyenne Mountain granite, quarried from a single stone, and is anchored 28 feet into solid rock. The shrine was built without using wood or nails, being secured with 200,000 pounds of steel, and construction included the use of approximately 30 wagon loads of cement. Five stories tall the elevation of the top deck, at 8,136 feet, is 1,336 above the zoo. In front of the shrine, in the 10-acre courtyard, is a bust of Will Rogers that was commissioned to Paris artist Jo Davidson.
The first floor is called the "Historical Room" and contains murals by New Mexico artist Randall Davey that depicts early development of the Pikes Peak region. The murals were restored in 1993 by Eric Bransby and includes:
- Native American scenes
- Zebulon Pikes travels
- Gold discoveries in Cripple Creek
- Activities of the founder of Colorado Springs General William Palmer
The next three floors contain a photographic history of Will Rogers from his early childhood days in Oklahoma through his time on stage, screen and radio. The last mural is of Will and Wiley Post taken just prior to the fatal crash.
The lower floor contains the chapel, pews and an altar, and 15th and 16th century European art objects. The remains of Spencer and Julie Penrose are interred in the chapel along with two long time friends and colleagues, Larry Leonard and Horace Devereaux. The shrine has a set of Westminster chimes that can be heard every quarter hour throughout the valley and was dedicated on September 6, 1937.
Read more about this topic: Will Rogers Shrine Of The Sun
Famous quotes containing the word history:
“There is nothing truer than myth: history, in its attempt to “realize” myth, distorts it, stops halfway; when history claims to have “succeeded” this is nothing but humbug and mystification. Everything we dream is “realizable.” Reality does not have to be: it is simply what it is.”
—Eugène Ionesco (b. 1912)
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“The history of reform is always identical; it is the comparison of the idea with the fact. Our modes of living are not agreeable to our imagination. We suspect they are unworthy. We arraign our daily employments.”
—Ralph Waldo Emerson (1803–1882)