Will Eisner - Books

Books

  • Odd Facts, Tempo Star Books, 1975, ISBN 0-441-60918-X.
  • A Contract with God, Baronet Books, 1978, ISBN 0-89437-035-9; (reissue ed.), DC Comics, ISBN 1-56389-674-5.
  • Will Eisner Color Treasury, Kitchen Sink, 1981, ISBN 0-87816-006-X.
  • Robert's Rules of Order (paperback ed.), Poor House Press, 1982, ISBN 0-553-22598-7.
  • Spirit Color Album, Kitchen Sink, 1981, ISBN 0-87816-002-7.
  • Spirit Color Album, v2, Kitchen Sink, 1983, ISBN 0-87816-010-8.
  • Spirit Color Album, v3, Kitchen Sink, 1983, ISBN 0-87816-011-6.
  • Life on Another Planet, 1983, ISBN 0-87816-370-0.
  • Comics and Sequential Art, 1985, ISBN 0-9614728-0-4.
  • New York: The Big City (softcover ed.), 1986, ISBN 0-87816-020-5; (hardcover ed.), ISBN 0-87816-019-1; (reprint ed.), 2000, ISBN 1-56389-682-6.
  • The Dreamer, 1986, ISBN 1-56389-678-8.
  • The Building, 1987, ISBN 0-87816-024-8.
  • A Life Force, 1988, ISBN 0-87816-038-8.
  • Art of Will Eisner (2nd ed.), Kitchen Sink, 1989, ISBN 0-87816-076-0.
  • Outer Space Spirit, 1989 Kitchen Sink, ISBN 0-87816-012-4.
  • To the Heart of the Storm, 1991, ISBN 1-56389-679-6.
  • The Will Eisner Reader, 1991, ISBN 0-87816-129-5.
  • Invisible People, 1993, ISBN 0-87816-208-9.
  • Dropsie Avenue, 1995, ISBN 0-87816-348-4.
  • Will Eisner Sketchbook (softcover ed.), Kitchen Sink, 1995, ISBN 0-87816-399-9 and idem (hardcover ed.), ISBN 0-87816-400-6.
  • Christmas Spirit, 1995 Kitchen Sink, ISBN 0-87816-309-3.
  • Spirit Casebook, 1990 Kitchen Sink, ISBN 0-87816-094-9.
  • Graphic Storytelling and Visual Narrative, 1996, ISBN 0-9614728-3-9.
  • The Princess and the Frog, 1996, ISBN 1-56163-244-9.
  • All About P'Gell: Spirit Casebook II, Kitchen Sink, 1998, ISBN 0-87816-492-8.
  • A Family Matter, 1998, ISBN 0-87816-621-1.
  • Last Day in Vietnam, 2000, ISBN 1-56971-500-9.
  • The Last Knight, 2000, ISBN 1-56163-251-1.
  • Minor Miracles, 2000, ISBN 1-56389-751-2.
  • , The Spirit Archives (no Eisner work in volumes 5–11)
    • The Spirit Archives, 1, 2000, ISBN 1-56389-673-7.
    • The Spirit Archives, 2, 2000, ISBN 1-56389-675-3.
    • The Spirit Archives, 3, 2001, ISBN 1-56389-676-1.
    • The Spirit Archives, 4, 2001, ISBN 1-56389-714-8.
    • The Spirit Archives, 12, 2003, ISBN 1-4012-0006-0.
    • The Spirit Archives, 13, 2004, ISBN 1-4012-0149-0.
    • The Spirit Archives, 14, 2004, ISBN 1-4012-0158-X.
    • The Spirit Archives, 15, 2005, ISBN 1-4012-0162-8.
    • The Spirit Archives, 16, 2005, ISBN 1-4012-0406-6.
    • The Spirit Archives, 17, 2006, ISBN 1-4012-0417-1.
    • The Spirit Archives, 18, 2006, ISBN 1-4012-0769-3.
    • The Spirit Archives, 19, 2006, ISBN 1-4012-0775-8.
    • The Spirit Archives, 20, 2006, ISBN 1-4012-0781-2.
    • The Spirit Archives, 21, 2007, ISBN 1-4012-1254-9.
    • The Spirit Archives, 22, 2007, ISBN 1-4012-1309-X.
  • Will Eisner's Shop Talk, Dark Horse Comics, 2001, ISBN 1-56971-536-X.
  • Fagin the Jew, 2003, ISBN 0-385-51009-8.
  • Hawks of the Seas, Dark Horse Comics, 2003, ISBN 1-56971-427-4.
  • The Name of the Game, 2003, ISBN 1-56389-869-1.
  • Will Eisner's John Law: Dead Man Walking (softcover ed.), IDW, 2004, ISBN 1-932382-27-5; idem (hardcover ed.), ISBN 1-932382-83-6.
  • The Plot: The Secret Story of The Protocols of the Elders of Zion, WW Norton, 2005, ISBN 0-393-06045-4.
  • The Contract With God Trilogy: Life on Dropsie Avenue, WW Norton, 2005, ISBN 0-393-06105-1 (anthology collecting "A Contract With God", "A Life Force" and "Dropsie Avenue".
  • New York: Life In the Big City, WW Norton, 2006, ISBN 0-393-06106-X (anthology collecting "New York: the Big City", "The Building", "City People Notebook" and "Invisible People".
  • Life, In Pictures, WW Norton, 2007, ISBN 0-393-06107-8 (anthology collecting "The Dreamer", "To The Heart of The Storm", and "The Name of the Game", along with the short stories "A Sunset in Sunshine City" and "The Day I Became a Professional".

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    In books one finds golden mansions and women as beautiful as jewels.
    Chinese proverb.

    Our books are false by being fragmentary: their sentences are bon mots, and not parts of natural discourse; childish expressions of surprise or pleasure in nature; or, worse, owing a brief notoriety to their petulance, or aversion from the order of nature,—being some curiosity or oddity, designedly not in harmony with nature, and purposely framed to excite surprise, as jugglers do by concealing their means.
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