Wilkanowski - Features of His Instruments

Features of His Instruments

Most of the Wilkanowski guitars adhere to a standard shape. A few guitars do not adhere to the cello shape, but rather a more conventional archtop shape, without the cello-like points above the waist. The Wilkanowski headstock is thought to have been the main influence in the headstock for the current Ovation Guitar. The flattened oval was the standard shape on most guitars, although some featured a violin like scroll. The backs of most were one piece of flamed maple (actually, the wood is often Po Valley Poplar, a figured cello tonewood that can resemble maple.) with no center joint. The finishing techniques included very light stain, or a violin color finish, and light sealer. The multiple layer binding was wooden, something fairly innovative at the time, and was raised above the level of the top and back plates. The f holes varied by instrument, standard shape, segmented, and later more modern cutouts appeared. Some of the Instruments displayed the name AIRWAY, some had a W on the headstock, and some remained unbranded. Some of the guitars carry serial numbers, a signature, or a label. Several are labeled Wilkanowski and Son, although nothing is known of the son's responsibility. One bearing this label was sold at the Johnny Cash estate auction by Sotheby's in 2004.

Read more about this topic:  Wilkanowski

Famous quotes containing the words features of, features and/or instruments:

    “It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.”
    —Christopher Lasch (b. 1932)

    ““It looks as if
    Some pallid thing had squashed its features flat
    And its eyes shut with overeagerness
    To see what people found so interesting
    In one another, and had gone to sleep
    Of its own stupid lack of understanding,
    Or broken its white neck of mushroom stuff
    Short off, and died against the windowpane.””
    —Robert Frost (1874–1963)

    “The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
    —Henry Brooks Adams (1838–1918)