Features of His Instruments
Most of the Wilkanowski guitars adhere to a standard shape. A few guitars do not adhere to the cello shape, but rather a more conventional archtop shape, without the cello-like points above the waist. The Wilkanowski headstock is thought to have been the main influence in the headstock for the current Ovation Guitar. The flattened oval was the standard shape on most guitars, although some featured a violin like scroll. The backs of most were one piece of flamed maple (actually, the wood is often Po Valley Poplar, a figured cello tonewood that can resemble maple.) with no center joint. The finishing techniques included very light stain, or a violin color finish, and light sealer. The multiple layer binding was wooden, something fairly innovative at the time, and was raised above the level of the top and back plates. The f holes varied by instrument, standard shape, segmented, and later more modern cutouts appeared. Some of the Instruments displayed the name AIRWAY, some had a W on the headstock, and some remained unbranded. Some of the guitars carry serial numbers, a signature, or a label. Several are labeled Wilkanowski and Son, although nothing is known of the son's responsibility. One bearing this label was sold at the Johnny Cash estate auction by Sotheby's in 2004.
Read more about this topic: Wilkanowski
Famous quotes containing the words features of, features and/or instruments:
“Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mothers face,
Her aspect and her attitude.”
—Henry Wadsworth Longfellow (18071882)
“The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.”
—Marcel Proust (18711922)
“The universe appears to me like an immense, inexorable torture-garden.... Passions, greed, hatred, and lies; law, social institutions, justice, love, glory, heroism, and religion: these are its monstrous flowers and its hideous instruments of eternal human suffering.”
—Octave Mirbeau (18501917)