General
The object, simply stated, is to go from point A to point B on a river as quickly as possible. Typical wildwater venues consist of Class II - IV whitewater, in contrast to extreme racing, which takes place on more difficult streams. Match competitions generally consist of a classic and a sprint race. A classic course is 4–6 miles (6–10 km) in length or 10 to 35 minutes in duration, while the Sprint is between 500 and 750 meters and lasts around 2 minutes. Although there is some specialization, the vast majority of racers compete in both classic and sprint.
Competitors are placed in classes based on gender and boat type as follows:
- K1 - individual kayak, male
- K1W - individual kayak, female
- C1 - individual canoe, male
- C1W - individual canoe, female
- C2 - two-man canoe.
They are numbered within their class based on results from previous races and compete in reverse order (best paddler last), usually at one-minute intervals. To race successfully, paddlers must possess refined technical skill, as well as strength, endurance, aerobic capacity, and the ability to "read" whitewater.
Whitewater racing is also practiced by competing teams; each team is made by a group of three competitors belonging to the same class.
Whitewater racing started in Europe with the International Canoe Federation being formed and having the first World Championships in Switzerland in 1949. Since then, there has been a World Championships every two years. Since 2011 there is a sprint only world championships, with sprint and classic being contested every other (even) year.
Read more about this topic: Wildwater Canoeing
Famous quotes containing the word general:
“Anti-Nebraska, Know-Nothings, and general disgust with the powers that be, have carried this county [Hamilton County, Ohio] by between seven and eight thousand majority! How people do hate Catholics, and what a happiness it was to show it in what seemed a lawful and patriotic manner.”
—Rutherford Birchard Hayes (1822–1893)
“The general feeling was, and for a long time remained, that one had several children in order to keep just a few. As late as the seventeenth century . . . people could not allow themselves to become too attached to something that was regarded as a probable loss. This is the reason for certain remarks which shock our present-day sensibility, such as Montaigne’s observation, “I have lost two or three children in their infancy, not without regret, but without great sorrow.””
—Philippe Ariés (20th century)
“In the drawing room [of the Queen’s palace] hung a Venus and Cupid by Michaelangelo, in which, instead of a bit of drapery, the painter has placed Cupid’s foot between Venus’s thighs. Queen Caroline asked General Guise, an old connoisseur, if it was not a very fine piece? He replied “Madam, the painter was a fool, for he has placed the foot where the hand should be.””
—Horace Walpole (1717–1797)