Development and Connection To Other Garry Marshall Series
Who's Watching the Kids? employed several actors who were already familiar faces from shows produced by Garry Marshall and his associates Thomas L. Miller and Edward K. Milkis. Those who had already worked with the producers were Caren Kaye, Lynda Goodfriend, Scott Baio, Shirley Kirkes and Elaine Bolton. These five originally appeared together as co-stars on Marshall's short-lived 1977 Happy Days spin-off Blansky's Beauties, which starred Nancy Walker. Blansky's Beauties had a very similar plotline to what became Who's Watching the Kids?: a bevy of Las Vegas showgirls seeking fame and fortune under the watchful eye of den mother and choreographer Nancy Blansky (Walker). Kaye, Goodfriend, Kirkes and Bolton were four of Blansky's showgirls, and Baio, in his first TV series role, played Anthony DeLuca, a 12-year-old romeo who was always trying to score with the older beauties.
Blansky's Beauties was cancelled after half a season, but Marshall refused to give up on the idea of a sitcom with a Las Vegas showgirls theme. Marshall took the basis of Blansky's Beauties and retooled it for a new series concept, that mainly focused on a group of sexy young ladies trying to make it in the Vegas entertainment world, without the aid of an older confidant or the presence of children. The concept proved to be even more sexually-driven than Blansky's Beauties, and was given the title Legs. NBC was interested in the new project, and agreed to a pilot which would be aired in the spring of 1978 as a one-time special. If the special fared well in the ratings, they would commit to a weekly series. Four of the original Blansky beauties--Kaye, Goodfriend, Kirkes and Bolton--were hired back by Marshall to star in Legs. For Lynda Goodfriend, this was the second transition from one Marshall series to another. After the cancellation of Blansky's, Goodfriend took up Marshall's offer to join the cast of Happy Days as the 1977-78 season began, playing Lori Beth Allen, the new love interest of Richie Cunningham (Ron Howard). If Legs went on to be a successful series, it is presumed that Marshall would have written off the character of Lori Beth on Happy Days in order for Goodfriend to commit to her co-starring role on the new show.
Legs was successful as a one time special when it aired in May 1978; therefore, NBC provided a berth for the series on its 1978 fall schedule. However, the network talked with Marshall about adding more of a family appeal to the sex-farce sitcom, which he eventually agreed to. Marshall added two young kids to the cast, and hired another one of his Happy Days actors away, Scott Baio, who had also joined the cast of that series in the fall of 1977, along with Lynda Goodfriend. Baio had become familiar to Happy Days viewers as Charles "Chachi" Arcola, cousin of Fonzie (Henry Winkler). He and young actress Tammy Lauren were entered into the fray of Legs as two kids who lived with their showgirl sisters. Only now, two showgirls instead of four would be the main focus; Kaye and Goodfriend were chosen to be the top-billing stars, while Kirkes and Bolton were relegated to smaller supporting roles. Marshall re-wrote the format so the kids could be well-integrated; the ultimate catch in the re-write was the dilemma Kaye and Goodfriend's characters faced as they were always busy in their performing career: "just who will be watching the kids?" This prompted the ultimate title change.
Read more about this topic: Who's Watching The Kids
Famous quotes containing the words development, connection, marshall and/or series:
“As long as fathers rule but do not nurture, as long as mothers nurture but do not rule, the conditions favoring the development of father-daughter incest will prevail.”
—Judith Lewis Herman (b. 1942)
“We say that the hour of death cannot be forecast, but when we say this we imagine that hour as placed in an obscure and distant future. It never occurs to us that it has any connection with the day already begun or that death could arrive this same afternoon, this afternoon which is so certain and which has every hour filled in advance.”
—Marcel Proust (1871–1922)
“The very presence of guilt, let alone its tenacity, implies imbalance: Something, we suspect, is getting more of our energy than warrants, at the expense of something else, we suspect, that deserves more of our energy than we’re giving.”
—Melinda M. Marshall (20th century)
“In the order of literature, as in others, there is no act that is not the coronation of an infinite series of causes and the source of an infinite series of effects.”
—Jorge Luis Borges (1899–1986)