Who's Watching The Kids - Development and Connection To Other Garry Marshall Series

Development and Connection To Other Garry Marshall Series

Who's Watching the Kids? employed several actors who were already familiar faces from shows produced by Garry Marshall and his associates Thomas L. Miller and Edward K. Milkis. Those who had already worked with the producers were Caren Kaye, Lynda Goodfriend, Scott Baio, Shirley Kirkes and Elaine Bolton. These five originally appeared together as co-stars on Marshall's short-lived 1977 Happy Days spin-off Blansky's Beauties, which starred Nancy Walker. Blansky's Beauties had a very similar plotline to what became Who's Watching the Kids?: a bevy of Las Vegas showgirls seeking fame and fortune under the watchful eye of den mother and choreographer Nancy Blansky (Walker). Kaye, Goodfriend, Kirkes and Bolton were four of Blansky's showgirls, and Baio, in his first TV series role, played Anthony DeLuca, a 12-year-old romeo who was always trying to score with the older beauties.

Blansky's Beauties was cancelled after half a season, but Marshall refused to give up on the idea of a sitcom with a Las Vegas showgirls theme. Marshall took the basis of Blansky's Beauties and retooled it for a new series concept, that mainly focused on a group of sexy young ladies trying to make it in the Vegas entertainment world, without the aid of an older confidant or the presence of children. The concept proved to be even more sexually-driven than Blansky's Beauties, and was given the title Legs. NBC was interested in the new project, and agreed to a pilot which would be aired in the spring of 1978 as a one-time special. If the special fared well in the ratings, they would commit to a weekly series. Four of the original Blansky beauties--Kaye, Goodfriend, Kirkes and Bolton--were hired back by Marshall to star in Legs. For Lynda Goodfriend, this was the second transition from one Marshall series to another. After the cancellation of Blansky's, Goodfriend took up Marshall's offer to join the cast of Happy Days as the 1977-78 season began, playing Lori Beth Allen, the new love interest of Richie Cunningham (Ron Howard). If Legs went on to be a successful series, it is presumed that Marshall would have written off the character of Lori Beth on Happy Days in order for Goodfriend to commit to her co-starring role on the new show.

Legs was successful as a one time special when it aired in May 1978; therefore, NBC provided a berth for the series on its 1978 fall schedule. However, the network talked with Marshall about adding more of a family appeal to the sex-farce sitcom, which he eventually agreed to. Marshall added two young kids to the cast, and hired another one of his Happy Days actors away, Scott Baio, who had also joined the cast of that series in the fall of 1977, along with Lynda Goodfriend. Baio had become familiar to Happy Days viewers as Charles "Chachi" Arcola, cousin of Fonzie (Henry Winkler). He and young actress Tammy Lauren were entered into the fray of Legs as two kids who lived with their showgirl sisters. Only now, two showgirls instead of four would be the main focus; Kaye and Goodfriend were chosen to be the top-billing stars, while Kirkes and Bolton were relegated to smaller supporting roles. Marshall re-wrote the format so the kids could be well-integrated; the ultimate catch in the re-write was the dilemma Kaye and Goodfriend's characters faced as they were always busy in their performing career: "just who will be watching the kids?" This prompted the ultimate title change.

Read more about this topic:  Who's Watching The Kids

Famous quotes containing the words development and, development, connection, marshall and/or series:

    The Cairo conference ... is about a complicated web of education and employment, consumption and poverty, development and health care. It is also about whether governments will follow where women have so clearly led them, toward safe, simple and reliable choices in family planning. While Cairo crackles with conflict, in the homes of the world the orthodoxies have been duly heard, and roundly ignored.
    Anna Quindlen (b. 1952)

    Women, because of their colonial relationship to men, have to fight for their own independence. This fight for our own independence will lead to the growth and development of the revolutionary movement in this country. Only the independent woman can be truly effective in the larger revolutionary struggle.
    Women’s Liberation Workshop, Students for a Democratic Society, Radical political/social activist organization. “Liberation of Women,” in New Left Notes (July 10, 1967)

    Parents have railed against shelters near schools, but no one has made any connection between the crazed consumerism of our kids and their elders’ cold unconcern toward others. Maybe the homeless are not the only ones who need to spend time in these places to thaw out.
    Anna Quindlen (b. 1952)

    We’ll be waitin’ for you, Marshall at the OK corral.
    Samuel G. Engel (1904–1984)

    The professional celebrity, male and female, is the crowning result of the star system of a society that makes a fetish of competition. In America, this system is carried to the point where a man who can knock a small white ball into a series of holes in the ground with more efficiency than anyone else thereby gains social access to the President of the United States.
    C. Wright Mills (1916–1962)