Whore Dialogues - Individual Works

Individual Works

In Aretino's Ragionamenti the sex lives of wives, whores and nuns are compared and contrasted. Later works in the same genre include La Retorica delle Puttane (The Whore's Rhetoric) (1642) by Ferrante Pallavicino; L'Ecole des Filles (The school for girls) (1655), attributed to Michel Millot and Jean L'Ange. and The Dialogues of Luisa Sigea (c. 1660) by Nicolas Chorier. Such works typically concerned the sexual education of a naive younger woman by an experienced older woman and often included elements of philosophising, satire and anti-clericalism. Donald Thomas has translated L'École des filles, as The School of Venus, (1972), described on its back cover as "both an uninhibited manual of sexual technique and an erotic masterpiece of the first order". In his diary Samuel Pepys records reading and (in an often censored passage) masturbating over this work. Chorier's Dialogues of Luisa Sigea goes a bit further than its predecessors in this genre and has the older female giving practical instruction of a lesbian nature to the younger woman plus recommending the spiritual and erotic benefits of a flogging from willing members of the holy orders. This work was translated into many languages under various titles, appearing in English as A Dialogue between a Married Woman and a Maid in various editions. The School of Women first appeared as a work in Latin entitled Aloisiae Sigaeae, Toletanae, Satyra sotadica de arcanis Amoris et Veneris. This manuscript claimed that it was originally written in Spanish by Luisa Sigea de Velasco, an erudite poetess and maid of honor at the court of Lisbon and was then translated into Latin by Jean or Johannes Meursius. The attribution to Sigea was a lie and Meursius was a complete fabrication; the true author was Nicolas Chorier.

Read more about this topic:  Whore Dialogues

Famous quotes containing the words individual and/or works:

    Each individual is more or less dimly aware of his significance, is aware that he’s something innately superior, something eternal—and lives, is obligated to live, in the moment and for the moment.
    Ivan Sergeevich Turgenev (1818–1883)

    I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
    From the earth-poles to the line, All between that works or grows,
    Every thing is kin of mine.
    Ralph Waldo Emerson (1803–1882)