Wendell Mayes

Wendell Mayes (July 21, 1919, Hayti, Missouri - March 28, 1992, Santa Monica, California) was a Hollywood screenwriter. His father Von Mayes was a lawyer and his mother Irene (née Haynes) was a teacher.

Mayes began as an actor. An episode he wrote for the "Kraft Television Theatre" received a good review in a Los Angeles newspaper and Billy Wilder hired him to work on the script to the film The Spirit of St. Louis. That was his first credit in a successful screenwriting career.

For Anatomy of a Murder, Mayes received a New York Film Critics Circle Award for best screenplay in 1959 and an Oscar nomination in 1960. It is claimed to be one of the best trial movies of all time. Mayes died of cancer at the age of 72.

His screenwriting credits included:

  • The Spirit of St. Louis (with Billy Wilder and Charles Lederer), Warner Brothers, 1957
  • The Enemy Below, Twentieth Century-Fox, 1957
  • The Way to the Gold, Twentieth Century-Fox, 1957
  • From Hell to Texas (also known as Manhunt) (with Robert Buckner), Twentieth Century-Fox, 1958
  • The Hunters, Twentieth Century-Fox, 1958
  • The Hanging Tree (with Halsted Welles), Warner Brothers, 1959
  • Anatomy of a Murder, Columbia, 1959
  • North to Alaska (with John Lee Mahin, Martin Rackin, and Claude Binyon), Twentieth Century-Fox, 1960
  • Advise and Consent, Columbia, 1962
  • Von Ryan's Express (with Joseph Landon), Twentieth Century-Fox, 1965
  • In Harm's Way, Paramount, 1965
  • Hotel, Warner Brothers, 1967
  • The Stalking Moon (with Alvin Sargent), National General Pictures,1968
  • The Revengers, National General Pictures, 1972
  • The Poseidon Adventure (with Stirling Silliphant), Twentieth Century-Fox, 1972
  • Death Wish, Paramount, 1974
  • Bank Shot, United Artists, 1974
  • Go Tell the Spartans, Avco Embassy, 1978
  • Love and Bullets (with John Melson), Associated Film Distribution,1979
  • Monsignor, Twentieth Century-Fox, 1982

Famous quotes containing the words wendell mayes and/or wendell:

    “We all know the Navy is never wrong, but in this case it was a little weak on being right.”
    —Wendell Mayes, U.S. screenwriter. Otto Preminger. CINCPAC II (Henry Fonda)

    “All generous minds have a horror of what are commonly called “facts.” They are the brute beasts of the intellectual domain. Who does not know fellows that always have an ill-conditioned fact or two that they lead after them into decent company like so many bull-dogs, ready to let them slip at every ingenious suggestion, or convenient generalization, or pleasant fancy? I allow no “facts” at this table.”
    —Oliver Wendell Holmes, Sr. (1809–1894)