History
In late 1964, Peter Eden and Geoff Stephens offered Donovan a recording contract with Pye Records in the UK. Donovan had performed around Britain and had become well known in British folk circles before his record contract. His 1964 demo tapes (released as Sixty Four in 2004) show a great resemblance to both Woody Guthrie and Bob Dylan, which probably prompted the "British answer to Bob Dylan" press line that was subsequently released. What's Bin Did and What's Bin Hid is notable because it captures Donovan at a point where his style and vision were starting to diverge significantly from those of Guthrie and Dylan.
The music primarily consists of Donovan singing and playing mouth harp and acoustic guitar, much like his live performances of the time. He still had some vestiges of Woody Guthrie's style, and here covers Guthrie's "Riding in My Car (Car Song)" — retitled as "Car Car". What's Bin Did and What's Bin Hid also includes British folk ("Tangerine Puppet") and even some jazz ("Cuttin' Out").
Donovan rerecorded "Catch the Wind" for the album, which was initially released as his debut single in the UK on 12 March 1965.
Other musicians featured on the album are Brian Locking on bass, Skip Alan (from the Pretty Things) on drums, and Gypsy Dave on kazoo.
Read more about this topic: What's Bin Did And What's Bin Hid
Famous quotes containing the word history:
“It takes a great deal of history to produce a little literature.”
—Henry James (18431916)
“The view of Jerusalem is the history of the world; it is more, it is the history of earth and of heaven.”
—Benjamin Disraeli (18041881)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)