Composition
An album track of three minutes and forty-eight seconds, is a midtempo, electropop song with R&B influences. A sample of "Je M'appelle Jane" by Jane Birkin runs throughout the song. The song is built around a distinctive bhangra-ish guitar riff and has a "spunky attitude". The song features resourceful vocals from Scherzinger. According to Maura of Idolator wrote that the song is a reminiscent of Whitney Houston's song "I'm Your Baby Tonight" (1990).
The song features three verses from Missy Elliott, who joins the Dolls for a "boy-baiting session". She uses brash rap and risqué lyrics in lines such as, "You ain't gonna get no more pussy... cat". In her lines, she references Katy Perry and her song "I Kissed a Girl" teasing, "Up in that club it's just me and my girls, play like Katy Perry kissing on girls." Samesame.com.au noted that Elliott's rapping is coherent with the Dolls’ signature style". Lyrically, the song is about a woman getting rid of her no-good-controlling-waste-of-space lover, while Jon Pareles of New York Times wrote that the song "proposes that her man stay home while she goes club hopping". Nicole Scherzinger said that Missy Elliott " the Pussycat Dolls to a whole other level."
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Famous quotes containing the word composition:
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)