Plot
"What Kind of Day Has it Been" begins with the president attending a town hall meeting in Rosslyn, Virginia. As the entourage exits the building, Secret Service Agent Gina Toscano seems to sense danger from the window of an overlooking building. The story is then told in retrospect, going back to the start of the day, with President Bartlet preparing for the town hall question and answer session that evening. Meanwhile, the Secret Service are becoming increasingly concerned about threats on the life of the President's youngest daughter, Zoey, and her black boyfriend, the President's personal aide, Charlie, from White Supremacist groups. In addition to this, the military are performing a delicate rescue mission of an American pilot, stranded in Iraq, with Iraqi security forces trying to find him.
Toby is worried, because his brother is in a space shuttle orbiting Earth but unable to land due to some technical problems. Josh has to put some pressure on Vice President Hoynes, on the subject of campaign finance reform. C.J. has to lie to the press to keep the Iraqi rescue mission covert, but doing so she incurs the anger of reporter Danny Concannon.
Returning to the town hall meeting, the evening is turning into a great success for the whole Bartlet administration. The pilot was saved without any bloodshed and while Bartlet is answering questions, the news comes through that the shuttle carrying Toby's brother is safe. As the senior staff come out of the building laughing and joking, Gina tells Zoey to get in the car, made nervous by the sight of a young man who doesn't seem to fit with the crowd. Suddenly, he looks up to a window and removes his hat, before disappearing. As Gina turns around, she spots the shooters in a window and yells a warning, screaming "GUN!" Suddenly shots ring out. Scenes show each member of the senior staff being thrown to the ground by agents and chaos erupting. As the scene pans out to show the carnage, a Secret Service agent can be heard on the radio, asking "Who's been hit?! Who's been hit?!"
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“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
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—John Ashbery (b. 1927)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)