Wharf Rats

Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol free.

Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they would hold 12-step style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful sober fellowship.

The Wharf Rats began during the 1980s as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker. However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, NA, or any other twelve-step program, though many of members of the Wharf Rats are members of AA, NA or other 12 step programs. The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment."

While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other jam band concerts as well. Similar groups named The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Happy Hour Heroes for moe., and the Digital Buddhas for The Disco Biscuits are all based on the Wharf Rats.

The name of this group comes from the Dead song "Wharf Rat", which contains the self-told story of August West, a down-and-out dockside wino.

Famous quotes containing the words wharf and/or rats:

    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
    Henry David Thoreau (1817–1862)

    I consider that that “that” that worries us so much should be forgotten. Rats desert a sinking ship. Thats infest a sinking magazine.
    James Thurber (1894–1961)