Middle Ages
The core tradition was praise poetry and the poet Taliesin was regarded as the first in the line. The other aspect of the tradition was the professionalism of the poets and their reliance on patronage – from kings, princes and nobles in their turn – for their living. The fall of the principality of Gwynedd and the loss of any form of Welsh independence in 1282 did prove a crisis in the tradition but a crisis which was overcome. It led to the innovation – the development of the cywydd meter, a more loose definition of praise, and a reliance on the nobility for patronage.
The professionalism of the poetic tradition was sustained by a Guild of poets, or Order of bards, with its own 'rule book'. This 'rule book' emphasised their professionalism and that the making of poetry as a craft. Under its rules it took an apprenticeship of nine years for a poet to become fully qualified. The rules also set out the payment a poet could expect for his work – these payments varied according to how long a poet had been in training and also the demand for poetry at particular times during the year.
But kings, princes and nobles not only had their court poet, they also had their storyteller (Welsh: cyfarwydd). Like poets, the storytellers were also professionals; but, unlike the poets, little of their work has survived. What has survived are literary creations based on native Welsh tales which would have been told by the storytellers. These tales are usually known as the Mabinogion.
Welsh prose in the Middle Ages was not confined to the story tradition; it included a large body of both religious and practical works, in addition to a large amount translated from other languages.
Read more about this topic: Welsh-language Literature
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