War Artist - British

British

British participation in foreign wars has been the subject of paintings and other works created by Britain's war artists. Artwork like the 1688 painting,The Fleet at Sea by Willem van de Velde the Younger depict the Royal Navy in readiness for battle. The Ministry of Defence art cvollection includes many paintings showing battle scenes, particularly naval battles. Military art and portraiture has evolved along with other aspects of war. The British official war artists of the First World War created a unique account of that conflict. The British War Artists Scheme expanded the number of official artists and enlarged the scope of their activities during the Second War.

Significant themes in the chronicle of twentieth-century wars have been developed by non-military, non-official, civilian artists. For example, society portraitist Arabella Dorman's paintings of wounded Iraq War veterans inspired her to spend two weeks with three regiments in different frontline areas: the Green Jackets at Basra Palace, the Queen's Own Gurkhas at Shaibah Logistics Base ten miles south-west of Basra, and the Queen's Royal Lancers in the Maysaan desert. In the field, Dorman drew quick charcoal portraits of the men she met. Returning to England, the sketches she made helped her use art to "evoke the emotions and psychological impact of war," rather than depicting the "physical horror" of war.

Selected artists

A select list of representative British artists includes:

This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it with reliably sourced entries.

Read more about this topic:  War Artist

Famous quotes containing the word british:

    If we were doing this in the Falklands they would love it. It’s part of our heritage. The British have always been fighting wars.
    British soccer fan. quoted in Independent (London, Dec. 23, 1988)

    There’s nothing the British like better than a bloke who comes from nowhere, makes it, and then gets clobbered.
    Melvyn Bragg (b. 1939)

    That the public can grow accustomed to any face is proved by the increasing prevalence of Keith’s ruined physiognomy on TV documentaries and chat shows, as familiar and homely a horror as Grandpa in The Munsters.
    Philip Norman, British author, journalist. The Life and Good Times of the Rolling Stones, introduction (1989)