Music
Broadly speaking, the music for Part 1 is lyrical and that for Part 2 is dramatic. There are a number of arias, though these are rarely free-standing and are usually preceded and/or followed by arioso or short conversational passages. Dance music is prominent in Part 1, military music and choruses in Part 2. A number of themes, associated especially with Natasha, Andrei and Pierre, recur throughout the opera. Prokofiev borrowed Natasha's and Andrei's principal themes from incidental music that he had written for a dramatisation of Pushkin's Eugene Onegin: Natasha's theme had been associated with Lensky, and Andrei's with Tatyana. Kutuzov's aria in Scene 10 (also sung by the chorus at the end of the opera) re-used music that Prokofiev had written for Eisenstein's film Ivan the Terrible.
Read more about this topic: War And Peace (opera)
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“I believe that water is the only drink for a wise man: wine is not so noble a liquor; and think of dashing the hopes of a morning with a cup of warm coffee, or of an evening with a dish of tea! Ah, how low I fall when I am tempted by them! Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America.”
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“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
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