Work
In pure philology, Skeat's principal achievement is his Etymological English Dictionary (4 parts, 1879-1882; rev, and enlarged, 1910). While preparing the dictionary he wrote hundreds of short articles on word origins for the London-based journal Notes and Queries. Skeat was also a pioneer of place-name studies.
His other works include:
- The Holy Gospels in Anglo-Saxon, Northumbrian, and Old Mercian Versions (1871)
- Specimens of English from 1394 to 1597 (1871)
- Specimens of Early English from 1298 to 1393 (1872), in conjunction with Richard Morris
- Principles of English Etymology (2 series, 1887 and 1891)
- A Concise Dictionary of Middle English (1888), in conjunction with A. L. Mayhew
- A Student's Pastime (1896), a volume of essays
- The Chaucer Canon (1900)
- A Primer of Classical and English Philology (1905)
- "A Glossary of Tudor and Stuart Words" (1914) with A. L. Mayhew
- The place-names of Cambridgeshire (1901)
- Place-names of Huntingdonshire (1902)
- Place-names of Hertfordshire (1904)
- Place-names of Bedfordshire (1906)
- Place-names of Berkshire (1911)
- Place-names of Suffolk (1913)
Somewhat incidentally in the perspective of his main body of work, Skeat coined the term ghost word and was a leading expert in this treacherous and difficult subject.
Read more about this topic: Walter William Skeat
Famous quotes containing the word work:
“I long to be out in the sun with no work to be done.”
—Irving Berlin (18881989)
“A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.”
—Paul Valéry (18711945)
“Most women without children spend much more time than men on housework; with children, they devote more time to both housework and child care. Just as there is a wage gap between men and women in the workplace, there is a leisure gap between them at home. Most women work one shift at the office or factory and a second shift at home.”
—Arlie Hochschild (20th century)