Work
Raad's video works include Talaeen a Junuub (Up to the South) (Salloum/Raad, 60 min., 1993), I Think It Would Be Better If I Could Weep (6 min.18sec., 2000) a collection of video shorts titled The Dead Weight of a Quarrel Hangs (Raad, 18 min., 1996–1999), and Hostage: The Bachar Tapes (Raad/Bachar), 18 min., 2000). Mixed-media projects include The Atlas Group: Documents from The Atlas Group Archive (1999 to the present), The Loudest Muttering Is Over: Documents from The Atlas Group Archive (2001 to the present), and My Neck Is Thinner Than A Hair (2004).
He also founded The Atlas Group in 1999, an imaginary foundation whose objective is to research and document Lebanon‘s contemporary history. The Altas Group is primarily presented through lectures that include films, photography exhibitions, videos, and a variety of documents from the group‘s archives who contains authored, found, and newly produced files. More recently, certain sections of the archive have been the object of a number of installations in museum spaces.
Under the name of Atlas Group, Raad made a series of books published by Walther König: a sort of imaginary collection of Dr. Fakhouri's found notebooks reports on Lebanon's 14 year war.
As a member of the Arab Image Foundation, Walid Raad has co-curated with Akram Zaatari the exhibition titled Mapping Sitting: On portraiture and Photography, an investigation in Arab photography and its relationship to questions of identity.
In June 2009, "The Atlas Group (1989-2004)" exhibition opened at the Reina Sofia in Madrid. Undertaken by Raad, the project aimed to research and document the contemporary history of Lebanon, specifically the years between 1975 and 1991. The exhibition - consisting of installations, videos, and photographs - attempts to draw awareness to the various ways in which history is told, organized, and sometimes manipulated.
Raad has collaborated with Chinese American artist David Diao, and their work was shown in fall 2012 at Paula Cooper Gallery.
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