Setting
There is only one scene throughout both acts. Two men are waiting on a country road by a tree. The men are of unspecified origin, though it is clear that they are not English by nationality (and in English-language productions are traditionally played with Irish accents). The script calls for Estragon to sit on a low mound but in practice – as in Beckett's own 1975 German production – this is usually a stone. In the first act the tree is bare. In the second, a few leaves have appeared despite the script specifying that it is the next day. The minimal description calls to mind "the idea of the lieu vague, a location which should not be particularised".
Alan Schneider once suggested putting the play on in a round – Pozzo has often been commented on as a ringmaster – but Beckett dissuaded him: "I don't in my ignorance agree with the round and feel Godot needs a very closed box." He even contemplated at one point having a "faint shadow of bars on stage floor" but, in the end, decided against this level of what he called "explicitation". In his 1975 Schiller-Theatre production there are times when Didi and Gogo appear to bounce off something "like birds trapped in the strands of net", in James Knowlson's description. Didi and Gogo are only trapped because they still cling to the concept that freedom is possible; freedom is a state of mind, so is imprisonment.
Read more about this topic: Waiting For Godot
Famous quotes containing the word setting:
“Dandyism is the last flicker of heroism in decadent ages.... Dandyism is a setting sun; like the declining star, it is magnificent, without heat and full of melancholy. But alas! the rising tide of democracy, which spreads everywhere and reduces everything to the same level, is daily carrying away these last champions of human pride, and submerging, in the waters of oblivion, the last traces of these remarkable myrmidons.”
—Charles Baudelaire (1821–1867)
“Like plowing, housework makes the ground ready for the germination of family life. The kids will not invite a teacher home if beer cans litter the living room. The family isn’t likely to have breakfast together if somebody didn’t remember to buy eggs, milk, or muffins. Housework maintains an orderly setting in which family life can flourish.”
—Letty Cottin Pogrebin (20th century)
“something far more deeply interfused,
Whose dwelling is the light of setting suns,”
—William Wordsworth (1770–1850)