Writing Career
In Chicago he found a job as a night clerk in a seedy hotel. Burnett found himself associating with prize fighters, hoodlums, hustlers and hobos. They inspired Little Caesar (novel 1929, film 1931). Little Caesar's overnight success landed him a job as a Hollywood screenwriter. Little Caesar became a classic movie, produced by First National Pictures (Warner Brothers) and starring the unknown Edward G. Robinson. The Al Capone theme was one he returned to in 1932 with Scarface. Burnett had won the 1930 O. Henry Award for his short story "Dressing-Up" published in Harper's Magazine in November 1929.
Burnett kept busy, producing a novel or more a year and turning most into screenplays (some as many as three times). Thematically Burnett was similar to Dashiell Hammett and James M. Cain but his contrasting of the corruption and corrosion of the city with the better life his characters yearned for, represented by the paradise of the pastoral, was fresh and original. He portrayed characters who, for one reason or another, fell into a life of crime. Once sucked into this life they were unable to climb out. They typically get one last shot at salvation but the oppressive system closes in and denies redemption.
Burnett's characters exist in a world of twilight morality — virtue can come from gangsters and criminals, malice from guardians and protectors. Above all his characters are human and this could be their undoing. In High Sierra (1941), Humphrey Bogart plays Roy Earle, a hard-bitten criminal who rejects his life of crime to help a crippled girl. In The Asphalt Jungle (1949), the most perfectly masterminded plot falls apart as each character reveals a weakness. In The Beast of the City (1932), the police take the law into their own hands when the criminals walk free due to legal incompetence, foreshadowing Dirty Harry by almost 40 years.
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