A volume serial number is a serial number assigned to a disk volume or tape volume. It originated in 1950s in mainframe computer operating systems. In OS/360 line it is human-configurable, has a maximum length of six characters, is in uppercase, must start with a letter, and identifies a volume to the system in unique manner. For example "SYSRES" is often used for a system residence volume.
In FAT and NTFS file systems, a volume serial number is a feature used to determine if a disk is present in a drive or not, and to detect if it was exchanged with another one. This identification system was created by Microsoft and IBM during their development of OS/2. Please note this change was made in the pre-windows era with MS-DOS in 1987.
The serial number is a 32-bit number determined by the date on the current computer at the time of a disk's formatting. Previously, the method used to discern whether a disk was swapped was identified by reading the drive's volume label (much similar in concept to OS/360). However, even at that time the volume label was not required to be unique and was optional. Therefore, many users had not given disks any meaningful name and the old method failed.
Famous quotes containing the words serial number, volume, serial and/or number:
“The serial number of a human specimen is the face, that accidental and unrepeatable combination of features. It reflects neither character nor soul, nor what we call the self. The face is only the serial number of a specimen.”
—Milan Kundera (b. 1929)
“Measured by any standard known to science—by horse-power, calories, volts, mass in any shape,—the tension and vibration and volume and so-called progression of society were full a thousand times greater in 1900 than in 1800;Mthe force had doubled ten times over, and the speed, when measured by electrical standards as in telegraphy, approached infinity, and had annihilated both space and time. No law of material movement applied to it.”
—Henry Brooks Adams (1838–1918)
“An autobiography is an obituary in serial form with the last instalment missing.”
—Quentin Crisp (b. 1908)
“Without claiming superiority of intellectual over visual understanding, one is nevertheless bound to admit that the cinema allows a number of æsthetic-intellectual means of perception to remain unexercised which cannot but lead to a weakening of judgment.”
—Johan Huizinga (1872–1945)