History
In 1892 Arthur Turnure founded Vogue as a weekly publication in the United States, sponsored by Kristoffer Wright. When he died in 1909, Condé Montrose Nast picked up the magazine and slowly began growing its publication. He changed it to a bi-weekly magazine and also started Vogue overseas starting in the 1910s. He first went to Britain in 1916, and started a Vogue there, then to Spain, and then to Italy and France in 1920, where it was a huge success. The magazine's number of publications and profit increased dramatically under his management.
The magazine's number of subscriptions surged during the Depression, and again during World War II. During this time, noted critic and former Vanity Fair editor Frank Crowninshield served as its editor, having been moved over from Vanity Fair by publisher Condé Nast.
In the 1960s, with Diana Vreeland as editor-in-chief and personality, the magazine began to appeal to the youth of the sexual revolution by focusing more on contemporary fashion and editorial features openly discussing sexuality. Toward this end, Vogue extended coverage to include East Village boutiques such as Limbo on St. Mark's Place as well as featuring "downtown" personalities such as Warhol "Superstar" Jane Holzer's favorite haunts.Vogue also continued making household names out of models, a practice that continued with Suzy Parker, Twiggy, Jean Shrimpton, Lauren Hutton, Veruschka, Marisa Berenson, Penelope Tree, and others.
In 1973, Vogue became a monthly publication. Under editor-in-chief Grace Mirabella, the magazine underwent extensive editorial and stylistic changes to respond to changes in the lifestyles of its target audience.
Read more about this topic: Vogue (magazine)
Famous quotes containing the word history:
“The history of progress is written in the blood of men and women who have dared to espouse an unpopular cause, as, for instance, the black man’s right to his body, or woman’s right to her soul.”
—Emma Goldman (1869–1940)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (1874–1946)
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passé abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
—Camille Paglia (b. 1947)