Influence
It is widely held that Solovyov was one of the sources for Dostoyevsky's characters Alyosha Karamazov and Ivan Karamazov from The Brothers Karamazov. Solovyov's influence can also be seen in the writings of the Symbolist and Neo-Idealist of the later Russian Soviet era. His book The Meaning of Love can be seen as one of the philosophical sources of Leo Tolstoy's The Kreutzer Sonata (1889). This was also the work where he introduced the concept of 'syzygy', to denote 'close union'.
He influenced the religious philosophy of Nicolas Berdyaev, Sergey Bulgakov, Pavel Florensky, Nikolai Lossky, Semen L. Frank, the ideas of Rudolf Steiner and the poetry and theory of Russian Symbolists, namely Andrei Belyi, Alexander Blok, Solovyov's nephew, and others. Hans Urs von Balthasar explores his work as one example of seven lay styles that reveal the glory of God's revelation, in volume III of The Glory of the Lord (pp. 279–352).
Read more about this topic: Vladimir Solovyov (philosopher)
Famous quotes containing the word influence:
“A healthy soul stands united with the Just and the True, as the magnet arranges itself with the pole, so that he stands to all beholders like a transparent object betwixt them and the sun, and whoso journeys towards the sun, journeys towards that person. He is thus the medium of the highest influence to all who are not on the same level.”
—Ralph Waldo Emerson (1803–1882)
“For character too is a process and an unfolding ... among our valued friends is there not someone or other who is a little too self confident and disdainful; whose distinguished mind is a little spotted with commonness; who is a little pinched here and protruberent there with native prejudices; or whose better energies are liable to lapse down the wrong channel under the influence of transient solicitations?”
—George Eliot [Mary Ann (or Marian)
“Concord River is remarkable for the gentleness of its current, which is scarcely perceptible, and some have referred to its influence the proverbial moderation of the inhabitants of Concord, as exhibited in the Revolution, and on later occasions.”
—Henry David Thoreau (1817–1862)