Vittoria Aleotti - Identity Controversy

Identity Controversy

Giovanni Battista Aleotti is said to have had five daughters. Although there is no record of a daughter named Raffaella, it has been assumed that Vittoria changed her name once she dedicated herself to service. There are many accounts that suggest that Vittoria and Raffaella are two different sisters while others that assert that the two are the same woman.

This confusion of identity arises from Giovanni, who wrote the dedication for Vittoria, in her only published book of music. In it he suggests that while his oldest daughter was being prepared to become a nun and trained in music, his younger daughter, Vittoria, overheard and took a liking to music. With this knowledge, some suggest that Vittoria and Raffaella are two different women. To support this assertion, many have written that it was almost impossible and highly unlikely that the same woman would publish two books of different music under two different names. In addition, it is said that while Vittoria entrusted the dedication of her works to her father, Raffaella took full responsibility of writing her own dedication, thus insinuating the stark personality differences as well.

It should be noted that after 1593, Vittoria is never heard of again while Raffaella gained tremendous fame for her musical abilities to perform and to lead.

In 1591, Vittoria published a single madrigal (Di pallide viole), in a musical anthology: Il giardino de musici ferraresi. Two years later, she set music to eight poems by Giovanni Battista Guarini, which her father later sent to Count del Zaffo, who had them printed in Venice by Giacomo Vincenti. This book of madrigals was entitled Ghirlanda de madrigali a quatro voci.

In the same year as Vittoria published her book of madrigals, Raffaella published a book of motets. Printed by Amadino in 1593, Sacrae cantiones quinque, septem, octo, & decem vocibus decantande, was the first sacred book of music by a woman to appear in print.