Vinzenz Lachner - Career

Career

Vinzenz scratched out a living teaching music in Augsburg until his brother Franz arranged for him to become conductor and house musician for Earl Mycielski of Coscevitz in the Grand Duchy of PoznaƄ. In 1831 he moved to Vienna to continue his musical training, becoming assistant conductor at the Court Opera and organist at a Protestant church (though he himself was Catholic). In 1836 he became court conductor at Mannheim in succession to Franz, where he was so highly valued that his contract was renewed and extended whenever he received offers from other musical centres. In all he remained there for 37 years, during which Mannheim had the reputation of performing the largest repertoire of operas of any city in Germany. Nevertheless, Lachner travelled and conducted widely, as far afield as London.

As an educator, he encountered and encouraged many. His students included Fritz Steinbach. Lachner encouraged a number of prominent younger musicians, notably Max Bruch, Hermann Levi, and Carl Wolfsohn.

Instinctively conservative in his tastes, Lachner stood out publicly against the cult of Richard Wagner, but the formation of a Wagner Association in Mannheim at the beginning of the 1870s was the beginning of the end for his career. Wagner himself came to conduct in Mannheim. Having already engineered the removal of Franz Lachner from Munich, Wagner campaigned for Vinzenz Lachner to be retired. (Vinzenz, to Wagner's rage, had conducted Wagner's opera The Flying Dutchman in a mutilated version.)

Vinzenz Lachner retired as court conductor in 1873. He settled afterwards in Karlsruhe, where he continued to teach.

Read more about this topic:  Vinzenz Lachner

Famous quotes containing the word career:

    I restore myself when I’m alone. A career is born in public—talent in privacy.
    Marilyn Monroe (1926–1962)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)