Production
The title and plot are a play on the titles of romance comic books with their overwrought love stories—very popular in earlier decades—such as "True Life Secrets", "True Stories of Romance", "Romance Tales", "Untamed Love" and "Strange Love".
True Romance was a breakthrough of sorts for Tarantino. Released after Reservoir Dogs, it was his first screenplay for a major motion picture, and Tarantino contends that it is his most autobiographical film to date. He had initially hoped to serve as the film's director, however he ended up losing interest in directing and sold the script. According to Tarantino's audio commentary on the DVD release, he was happy with the way it turned out as, apart from changing the nonlinear narrative he wrote to a more conventional linear structure, it was largely faithful to his original screenplay and, although he initially opposed director Tony Scott's decision to change the ending (which Scott maintained was of his own volition, not the studio's, saying "I just fell in love with these two characters and didn’t want to see them die") he realized when seeing the completed film that Scott's happy ending was more appropriate to the film as he had directed it, whereas the originally scripted ending would have been more suited to Tarantino's directorial style.
The film's score by Hans Zimmer is a theme based on Gassenhauer from Carl Orff's Schulwerk. This theme combined with a voiceover spoken by Arquette is an homage to Terrence Malick's 1973 crime film Badlands, in which Sissy Spacek speaks the voiceover, and that also shares similar dramatic motifs.
Read more about this topic: Vincenzo Coccotti
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)