Viktor Ullmann - List of The Prague and Theresienstadt Works

List of The Prague and Theresienstadt Works

In the middle of 1942, shortly before his deportation to Theresienstadt concentration camp, Ullmann drew up a comprehensive list of his compositions to that point. This list was preserved in a London library as part of a letter to a correspondent whom it has not hitherto been possible to identify. In contrast to earlier lists of works, the London list is distinguished by an unbroken sequence of opus numbers (1-41) and the unmistakable incorporation of works or titles already known. Ullmann's list of works is of incalculable value in the light of the lost or missing compositions, although it makes clear the full extent of the loss caused by persecution and war.

In the following summary Ullmann's opus numbering has been used, and extended for the opus numbers given to works composed in Theresienstadt. The order of titles is essentially chronological and takes account both of compositions known from earlier lists of works as well as of those bibliographically recorded. Uncertain dating is indicated by (?). Traces of an earlier numeration derive from the list of works from the 1920s (Riemann Musiklexikon 11/1929). These references occur only in connection with the "Schönberg Variations", which in relation to the opus numeration and to the chronology cut across the principle of arrangement used.

Read more about this topic:  Viktor Ullmann

Famous quotes containing the words list of, list and/or works:

    Every morning I woke in dread, waiting for the day nurse to go on her rounds and announce from the list of names in her hand whether or not I was for shock treatment, the new and fashionable means of quieting people and of making them realize that orders are to be obeyed and floors are to be polished without anyone protesting and faces are to be made to be fixed into smiles and weeping is a crime.
    Janet Frame (b. 1924)

    All is possible,
    Who so list believe;
    Trust therefore first, and after preve,
    As men wed ladies by license and leave,
    All is possible.
    Sir Thomas Wyatt (1503?–1542)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)