History
After nearly seventy years of Highland musical contests in Australia, it was at the Maryborough gathering in 1924, Drum Major Lew Zilles OAM ED, broadcast the intent to form a group for coordinating Victorian pipe band affairs. In a meeting at Geelong, on the 12th of April that same year, the Victorian Highland Pipe Band Association was formed. It was the first of its kind, anywhere in the world - predating even the Royal Scottish Pipe Band Association.
Initial efforts were focused on ensuring fair competition, including the election of knowledgeable, impartial judges and creating the competition rules. Unintentionally, the VHPBA had also become the national leader on all pipe band issues, and not long after its inception, had members from New South Wales, South Australia and Tasmania, in addition to the many Victorians present.
However, as the pipe band scene in Australia grew in the 1950-60s, associations were formed in other states. Toward the end of this period, it was realised that a national identity to oversee the organisations and coordination of a standardized ruling system was needed. Though only representatives from New South Wales and Victoria attended the meeting that formed the Australian Federation of Pipe Associations, all six states joined shortly after its founding.
Though the national body was responsible for communicating between the organizations, each individual member, including the Victorian Highland Pipe Band Association, retained control over its own state. This worked well for the next thirty years, until in the 1990s it was felt that the state associations needed to become branches of an amalgamated entity. Thus, in 1997 the Victorian Highland Pipe Band Association became the Victorian Branch of the Australian Highland Pipe Band Association, and was renamed Pipe Bands Victoria.
Read more about this topic: Victorian Highland Pipe Band Association
Famous quotes containing the word history:
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.”
—José Ortega Y Gasset (1883–1955)