Story
In her 25th wedding anniversary party, Victoria Mendoza (Victoria Ruffo) finds out her husband Enrique Mendoza (Arturo Peniche) has a mistress, Tatiana López (Andrea Lopez). Suddenly Victoria's whole life crashes around her as she realizes her marriage is wrecked. As she tries to heal the pain of her husband's adultery, she meets the 33-year-old Jerónimo (Mauricio Ochmann) out of the blue.
Victoria falls for this younger man, giving her a second chance at the true love and passion missing in her loveless marriage. Many of her loved ones oppose her relationship, including her daughters Paula (Geraldine Bazán) and Mariana (Laura Perico), her mother Mercedes (Margalida Castro) and her ex-husband. They blame her for the breakup. On the other hand, her son Santiago (Ricardo Abarca) offers unconditional support. Victoria has many problems but does she know she has those problems? Can she solve them? So Victoria faces a difficult decision: either fight to keep true love alive or surrender and let it slip away.
Read more about this topic: Victoria (Telemundo Series)
Famous quotes containing the word story:
“All sorrows can be borne if you put them into a story or tell a story about them.”
—Isak Dinesen (1885–1962)
“If I were just curious, it would be very hard to say to someone, “I want to come to your house and have you talk to me and tell me the story of your life.” I mean people are going to say, “You’re crazy.” Plus they’re going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that’s a reasonable kind of attention to be paid.”
—Diane Arbus (1923–1971)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)