Victor Sloan MBE (born Dungannon, County Tyrone, Northern Ireland, 1945) is a Northern Irish photographer and artist.
Victor Sloan studied at the Royal School, Dungannon, Co. Tyrone and Belfast and Leeds Colleges of Art, England. He lives and works in Portadown, County Armagh in Northern Ireland. Employing primarily the medium of photography, he manipulates his negatives and reworks his prints with paints, inks, toners and dyes. In addition to photography, he also uses video, and printmaking techniques.
His works are a response to political, social and religious concerns. He is perhaps best known for his works investigating the Orange Order in series such as: Drumming; The Walk, the Platform and the Field and The Birches.
Victor Sloan was awarded an MBE in 2002. He is an academician of the Royal Ulster Academy, a Fellow of the Royal Society of Arts, and a Fellow of the Royal Photographic Society. He won the Academy's Conor Prize in 1988 and the Gold Medal in 1995 and 2008. The Ormeau Baths Gallery, Belfast held a major exhibition of his work (Victor Sloan: Selected Works 1980-2000) in 2001. In 2008, the exhibition History, Locality, Allegiance, curated by Peter Richards at the Golden Thread Gallery, Belfast, brought together a comprehensive selection of past works, with a particular focus on his video works.
Books about Victor Sloan and his work include Marking the North by Brian McAvera (1989), Victor Sloan: Selected Works by Aidan Dunne (2001), Victor Sloan: Walk, by Jürgen Schneider (2004) and Luxus by Glenn Patterson (2007).
In Ireland and the UK, Sloan's work is included in public collections such as the Arts Council of Northern Ireland; the Ulster Museum; the State Art Collection, Ireland; the National Self-Portrait Collection of Ireland; the British Telecommunications, the Millennium New Media Collection; the Imperial War Museum, London and the National Media Museum, Bradford, England.