Victor Lownes - Film Production

Film Production

Lownes was the executive producer for And Now For Something Completely Different, the first Monty Python film. He was a fan and proposed the idea of a film specifically designed to introduce the British comedy troupe to a US audience. He was very egotistical. According to Terry Gilliam, Victor Lownes insisted on getting an animated executive producer credit equal in size to those of the group members. Gilliam refused and so Lownes had the credit made elsewhere at his own cost. Gilliam then created a different style of credit for the Pythons so Lownes' credit is the only one that appears in this way.

Lownes was out partying with Roman Polanski when his wife Sharon Tate was murdered by the Manson Family in August 1969. Later Lownes persuaded Hefner to provide $1,500,000 to finance Polanski's first film since the murder through Playboy when no other movie studio would touch it. Macbeth was influenced heavily by his experiences. Polanski proceeded to go $600,000 over budget and then mock Playboy's generosity. Lownes' friendship with Polanski was at an end. Angrily, he returned a cherished gift to Polanski, the life-sized gold penis Polanski had modeled for during happier days. Lownes wrote that "I'm sure you'll have no difficulty finding some friend you can shove it up".

Read more about this topic:  Victor Lownes

Famous quotes containing the words film and/or production:

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.
    Ernest Gellner (b. 1925)