Work
His career takes off as a photojournalist at the very respected cultural magazine Voir Montreal. The Canadian Press and the National Film Board of Canada (NFB) also counted him among their photojournalists. But it is in 2002, when he finally landed the prestigious title as the official photographer for the Festival International de Jazz de Montréal, Les FrancoFolies de Montréal and Montréal Highlights Festival at l'Équipe Spectra.
Victor Diaz Lamich then published his first photo book in October 2005, in collaboration journalist Karina Marceau : « Inde, sur la route des Jeunes musiciens du monde » (English : India, on the road of the young musicians of the world), a photo book following the story of young artists, helping to build music schools for neophytes musicians in third World countries. This publication will be the most important financing tool for the non-profit organization Jeunes musiciens du monde. All the profits were donated to the organization.
In 2007, his second book with the same publisher in November 2007 entitled "Past Perfect" tells Québec city's wonderful history through the Auberge Saint-Antoine history. (Rated today's best Hotel in Canada By Condé Nast Magazine). In 2008, he participates to the "Jazz Festival 30th Anniversary" edition souvenir book. In 2010, "Le Moulin à Paroles Sous Haute Surveillance" souvenir book was published and represents his last published work. In October 2010, he is chosen to be the official photographer of Under-Secretary-General UN Women, Ms. Michelle Bachelet on her visit to Canada. In December 2010 he is also chosen to accompany Ms. Ingrid Betancourt on her visit to Canada.
For the last 6 years Mr. Diaz Lamich has been working on a series of publications with publisher Sylvain Harvey. These publications will mainly cover themes such as the best places to visit in Mexico as well as a book on the Dominican Republic.
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Famous quotes containing the word work:
“Meanwhile, if the fear of falling into error sets up a mistrust of Science, which in the absence of such scruples gets on with the work itself, and actually cognizes something, it is hard to see why we should not turn round and mistrust this very mistrust.... What calls itself fear of error reveals itself rather as fear of the truth.”
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