Conducting Career
In 1938, at age 22, he became conductor of the Oklahoma City Symphony Orchestra, an organization that he led from a WPA project to an accomplished ensemble with broad civic support. When Max Reiter, conductor of the San Antonio Symphony Orchestra, died in December 1950, Alessandro took over much of the remaining season; he signed a contract as permanent conductor in April 1951. The next year he also assumed leadership of the San Antonio Symphony Society's Grand Opera Festival.
Alessandro was at his best in works by Tchaikovsky, Wagner and Richard Strauss. He was a sympathetic interpreter of Johannes Brahms and the odd-numbered symphonies of Ludwig van Beethoven. He introduced works by Anton Bruckner, Gustav Mahler, and Alban Berg to San Antonio audiences before they became fashionable elsewhere. He conducted memorable performances of Elektra, Salome, Nabucco, Boris Godunov, Susannah, Die Meistersinger, and the standard operas of Giuseppe Verdi and Giacomo Puccini. In building the San Antonio orchestra he was an exacting, often irascible taskmaster of high musical standards. But he was capable of less formidable moments as well; in February 1962, for instance, he dedicated a performance of Ein Heldenleben to the memory of Bruno Walter.
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