Career
Morrow's first movie role was in Blackboard Jungle (1955), after which he went into television. Later, he guest starred on John Payne's NBC western series, The Restless Gun. On April 16, 1959, he appeared in the premiere of NBC's 1920s crime drama The Lawless Years in the episode "The Nick Joseph Story". Morrow then appeared from 1960–1961 as Joe Cannon in three episodes of NBC's The Outlaws with Barton MacLane. On October 6, 1961, he guest starred in the ABC series Target: The Corruptors! with Stephen McNally and Robert Harland.
He was cast in the lead role in ABC's Combat!, a World War II drama, which aired from 1962–1967. He also worked as a television director. Together with Leonard Nimoy, he produced a 1966 version of Deathwatch, an English language film version of Genet's play Haute Surveillance, adapted by Morrow and Barbara Turner, directed by Morrow, and starring Nimoy. After Combat! ended, he worked in several films. Morrow appeared in two episodes of Australian-produced anthology series The Evil Touch (1973), one of which he also directed. He memorably played the wily local sheriff in director John Hough's road classic Dirty Mary, Crazy Larry, as well as the homicidal sheriff, alongside Martin Sheen, in the 1974 TV film The California Kid, and had a key role in the 1976 comedy The Bad News Bears. He also played Injun Joe in 1973 telefilm Tom Sawyer, which was filmed in Upper Canada Village. A musical version was released in theaters that same year.
Morrow wrote and directed a 1971 Spaghetti Western, produced by Dino DeLaurentis, titled A Man Called Sledge starring James Garner. It was Morrow's first and only big screen outing behind the camera. "Sledge" was filmed in Europe with desert-like settings that were highly evocative of the U.S. southwest.
Read more about this topic: Vic Morrow
Famous quotes containing the word career:
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)